living proof that not everyone in Cuba is making music like their grandaddy!
Yes, of course there are urban echoes of classic trova songs, but it's offshoots
like bolero and notably 'filin' that inform this true voice of the 21st century
whose songs break down the labels usually imposed on the island's music. As a
modern troubadour Yusa, like others in her peer group, is as influenced by Spanish
and North American pop and jazz as by 'nueva trova' and son. After all Yusa grew
up with her ear stimulated by everything Cuba had to offer as well as a legion
of international musicians including Miles Davis, Peter Gabriel, Sting, Stevie
Wonder, Chick Corea and Jaco Pastorius. And sheÕs of a generation whose
musical world owes as much to their contemporaries in Brazil Ð Lenine, Chico
Science, Chico Cesar, Carlinhos Brown Ð as to anything home grown.
Born in the Buena Vista district of today's Playa and growing up in the modern
Alamar housing community of east Havana, Yusa's childhood was spent between
music and the sea, cherished by her economist mother and her sailor father
whose eyes always have, 'the gaze of the sea in them'.
Yusa started with guitar, went on to Cuban tres guitar, taking piano and
bass in her stride. What inspires this debut disc are vital creative years
spent jamming in the hallways and classrooms of the Amadeo Rold‡n Conservatory
exchanging musical ideas with contemporaries such as Roberto Carcasses, who
is now the arranger of many of the songs on this disc. Then there's Yusa's
time improvising female quintet Quasi-Jazz at that crucible of Cuban music,
'El Zorro y el Cuervo', the basement night club on Havana's central La Rampa
street which has been at the cutting edge of Cuban jazz since the early 20th
A key phenomena of 1990s Cuba was the emergence of contemporary duos revitalising
in totally unexpected ways the older fashion of singing two part harmony with
guitar. In the same way as Gema and Pavel had before them, Yusa and Domingo
made waves among their urban milieu in the small corner bars and neighbourhood
clubs where for centuries new Cuban musics have always been dreamed up.
Yusa and her musical accomplices recorded in the late nights and early mornings
of a sweltering Cuban winter in the big old house of Vedado's Once (11) street.
Here in the intimate atmosphere of singer-songwriter Pablo Milanes' studios,
with a couple of tracks in the Amadeo Roldán Theatre, they have created
a disc which breaks boundaries.
Producer Pavel's frames certain pieces with 'found sounds' from percussive
traffic to trains, camera clicks to children's cries, music box melodies to
the crash of sea waves for Yusa's call to Yemayá, the Cuban 'Orisha'
Goddess of the sea, texturing captured moments. The enigmas of Yusa's bitter-sweet
lyrics are realised in a music full of simplicity and sophistication as befits