my Lord taking delight in them it will keep him from more prodigal courses.It is now apparent that Derby's Men, under the patronage of William Stanley, were the longest existing of all pre-Restoration acting troupes under a single sponsor. This includes the Chamberlain's Men, the Admiral's Men, Oxford's Men, and everyone else. William sponsored a troupe as Derby's Men from the year he attained to the earldom (1594) until at least 1635 (additionally, they may have been in existence under another name before he became earl and they may have been in existence up to the time of William's death in 1642). While we know something of the venues of the company, we know nothing about its players (maybe, but see A Bust at Warrington).Countess of Derby to Secretary Cecil
I've created a table below that contains a no doubt incomplete
but, as far as I know, the most complete, record of known
performances by William Stanley's players. In general, the
performances are those mentioned by Gurr, and those found in
the REED research, including Coman's remarkable discoveries (see Sources at bottom
for more information).
Note that in the following the dates are approximate. In some cases,
especially where there is a full date, say 5 May 1600, it is possible
that it is the date of the actual performance. In most cases, however,
the dates merely represent the date the venue recorded
the payment (for example in quarterly or annual reports).
Performance History
Date | Location | Comments, Source Footnotes |
1594, May | Southampton |
[Gurr]
I [to be clear: this comment is from JR, the author of the web page speaking, not the particular source (in this case Gurr) in this and the following comments unless otherwise indicated] date the start of the 6th Earl's company from the acquisition of the title earl in mid-April 1594. It is possible this contained remnants of the fifth Earl's company, which was largely ransacked by the companies of the Admiral's and the Chamberlain's Men, but a more likely scenario seems to be that any remnants from the fifth Earl's company belonged to the company at Winchester referred to as "the players of the Countesse of Derby" (the 5th earl's widow) in May 1594, and that "the Earle of Darbyes" company in Southampton in the same month was either new or a continuation of something William Stanley had already been involved with under a different name. |
1594/5 | Dunwich, Suffolk |
[Gurr]
Also, on January 26, 1595, the Earl's wedding took place and a likely first performance of Midsummer Night's Dream. Of course, even Stratfordians who believe that the play was first performed at this wedding (e.g., Fleay) believe it to have been performed by the Chamberlain's Men, because that is the company to which Shakspur belonged. I think it more likely to have been performed by the Earl's own company. |
1595/6 | Canterbury | [Gurr] |
1595/6 | Gloucester | [Gurr] |
1595/6 | Oxford town | [Gurr] |
1595/6 | Bath | [Gurr] |
1595/6 | Dunwich, Suffolk | [Gurr] |
1595/6 | Leicester | [Gurr] |
1596 | York | [REED] |
1596, December | Coventry, Warwickshire | [Gurr], [REED] |
1596, July | Bristol | [Gurr] |
1596, 30 September | York city | [Gurr] |
1597, 26 March | Ipswich | [Gurr] |
1596/7 | Bath | [Gurr] |
1597, April-May | Bristol | [Gurr] |
1597, December | Coventry, Warwickshire | [Gurr], [REED] |
1597/8 | Kendal, Lancashire | [Gurr] |
1597/8 | Leominster, Herfordshire | [Gurr] |
1598, December | Coventry, Warwickshire | [Gurr], [REED] |
1598 | Leicester | [Gurr] |
1599, 16 October | Leicester | [Gurr] |
1599-1602, numerous performances | Boar's Head Playhouse, Whitechapel | [Berry]. See also my comments on The Boar's Head Inn, Whitechapel below. |
1600, February 3 | At court | A payment is registered for this day but may refer to the February 5 performance. [Berry], [Gurr] |
1600, February 5 | At court | Second appearance this month? [Berry], [Gurr] |
1601, 1 January | At court | Paul's Boys also performed at court on this day (Chambers, The Elizabethan Stage). [Berry], [Gurr]. It seems to have been Derby's day. |
1601, 6 January | At court | Derby's Men and the Chamberlain's Men played this night. Hotson believed Twelfth Night was first performed at this time. [Hotson] [Gurr] [1] |
1602, 27 February | Norwich | [Gurr] |
1602, December | Coventry, Warwickshire | [Gurr], [REED] |
1602, 10 March | Faversham, Kent | [Gurr] |
1602, 4 June | Ipswich | [Gurr] |
1602, 10 June | Norwich | [Gurr] |
1603, November | Coventry, Warwickshire | [Gurr] [REED] |
1604, November | Coventry, Warwickshire | [Gurr], [REED] |
1606, November | Coventry, Warwickshire | [Gurr], [REED] |
1607, May 4 | Congleton, Cheshire | "This is the first reference to William Stanley's company [in the Congleton, Cheshire records], though from henceforth they are the most frequent visitors to Congleton." [Coman] |
1607, November | Coventry, Warwickshire | [Gurr], [REED] |
1607/8 | Barnstaple, Devon | [Gurr] [REED] |
1608, December | Coventry, Warwickshire | [Gurr], [REED] |
1609, 18 March | Kendal, Lancashire | [Gurr] |
i1609, 24 May | Coventry, Warwickshire | [Gurr], [REED] |
1609 | Louth | Paid but didn't play. [Gurr] |
1609 | Congleton, Cheshire | [Coman] |
1609, December | Gawthorpe, Lancashire | [Gurr], [REED] |
1612, 26 March | Yorkshire | "Derby's Men were 15 strong when they visited the Clifford household at Londesborough in the East Riding of Yorkshire..." [George] |
1612, 12 August | Gawthorpe, Lancashire | [Gurr], [REED] |
1612, November | Coventry, Warwickshire | [Gurr], [REED] |
1612, 12 December | Gawthorpe, Lancashire | [Gurr], [REED] |
1613, September | Gawthorpe, Lancashire | [Gurr], [REED] |
1613/14 | Dunkenhalgh, Lancashire | [Gurr], [REED] |
1615 | Congleton, Cheshire | [Coman] |
1615, 21 July | Dunkenhalgh, Lancashire | [Gurr], [REED] |
1615/16 | Congleton, Cheshire | [Coman] |
1616, 14 May | Coventry, Warwickshire | [Gurr], [REED] |
1616/17 | Leominster, Herefordshire | [Gurr], [REED] |
1617, January | Congleton, Cheshire | [Coman] |
1617, 18 March | Gawthorpe, Lancashire | [Gurr], [REED] |
1617, 22 March | Dunkenhalgh, Lancashire | [Gurr], [REED] |
1617, 28 July | Skipton Castle, Yorkshire | [George] |
1617, 2 August | Dunkenhalgh, Lancashire | [Gurr], [REED] |
1618, 14 October | Maidenhead Inn, Islington | John Taylor, "the water poet", reports a performance of Guy of Warwick by Derby's Men [Keenan]. "after supper we had a play of the life and death of Guy of Warwick by the Right Honourable the Earle of Darbie his men." John Taylor The Pennyless Pilgrimage. |
1619/20 | Leominster, Herefordshire | [Gurr], [REED] |
1620, 12 February | Dunkenhalgh, Lancashire | [Gurr], [REED] |
1620, 10 October | Congleton, Cheshire | [Coman] |
1620, 25 November | Dunkenhalgh, Lancashire | [REED] |
1621/2 | Congleton, Cheshire | [Coman] |
1622, October | Congleton, Cheshire | Perfomance a combination of "the late Queenes and the Earle of Derbeys plaiers". At this date the Queen's players likely included Heminge and Condell, who would produce (or would contribute their names to the production of) the First Folio of Shake-speare's works in the following year. [Coman] |
1623, December 16 | The Swan, Congleton Cheshire | [Coman] |
1625, February | Dunkenhalgh, Lancashire | [REED] |
1627, 27 October | Congleton, Cheshire | [Coman] |
1628 | Congleton, Cheshire | [Coman] |
1630 | Congleton, Cheshire | [Coman] |
1633 | Congleton, Cheshire | [Coman] |
1635 | Congleton, Cheshire | [Coman] |
1636/7 | Doncaster | [Dutton] |
It is even possible we know something about the member's of Derby's
Men, late in their existence.
[2]
On Sunday May 6, 1632, nine men were apprehended for performing
Henry VIII in a Warrington ale house during the time
reserved for divine services. They were acting upstairs
supposedly without the knowledge of the proprietor, and it is
likely that they were in fact practicing the play rather than
performing it for an audience. For one thing, there were too
few of them for a full performance of the play and for another,
it would be hard for the proprieter to say he didn't know they
were performing a play if there were a public performance going
on in his house.
The record is interesting for a couple of reasons. One, it
is only the third recorded "performance" of Henry VIII
prior to the theaters closing in 1642. The point of interest
here, though, is who was this company? Warrington is
interestingly situated because it is only about 10 miles from
Derby's Knowsley estate and it is at the bridge that crosses the
Mersey. Warrington was literally on the road that connected the
Derby estates and Chester and would be an ideal homebase for
Derby's Men. Playing as they did throughout Lancashire and
Cheshire in just these years (see Performance
History), Warrington was perfectly situated at the central
crossroads.
Curiously,
and perhaps fortunately for the players, they were examined in Ormskirk,
Lancashire by Thomas Ireland, Justice of the Peace, a longtime associate
of Will Derby.
In the more than 40 years of existence of
Derby's Men, we can be sure that the players
comprising the troupe changed over time, but we
may have a snapshot of perhaps most of their
names in 1632.
In any case, here are the names:
and
William Hardman
It will be interesting to see if their names turn up in further researches of Derby's Men, or
indeed in any association.
In the letter quoted from above, William Stanley's wife, at
William Stanley's behest, was requesting of her Uncle, the
powerful Secretary of State, that he allow Derby's Men to play.
The letter in full reads (spelling modernized):
Your most loving niece
The scene descriptions for the tavern scenes in Henry IV
are often described as "The Boar's-Head Tavern, Eastcheap".
This was not specified by the playwright, but added later.
As the Variorum Shakespeare
puts it:
Henry IV, Part 2 was entered in the Stationer's Register
on August 23, 1600, and published in a quarto edition shortly
afterward.
A Bust at Warrington
John Smyth
(I can find no Overford, but there is, or was, an
Orford 1.5 miles north of Warrington.)
Thomas Houlbrocke
John Willie of Overford
John Cadewell
William Wildigge
Robert Wicke
John Choner
Randle Rylence of Warrington
The Boar's Head Inn, Whitechapel
Although almost forgotten until recently, the Boar's Head Inn in
Whitechapel near London was one of the leading public playhouses
beginning around 1598, and Derby's Men were the draw for the first few
years (1598?—1602). [berry] Undoubtedly one of
the reasons that the Boar's Head was forgotten is that historians did
not find it referenced in the usual places because it was not licensed
during this period, a period in which public playhouses were supposed
to be licensed and controlled. Yet the Boar's Head operated and indeed
prospered with impunity. It seems likely that it had support in high
places, and this support may have been Derby. But it
may also have been Secretary of State Robert Cecil.
Good uncle, being importuned by my Lord to entreat your favor
that his man Browne with his company may not be barred their
accustomed playing in maintainance wherof they have consumed the
better part of their substance, if so vain a matter shall not
seem troublesome to you, I could desire that your furtherance
might be a means to uphold them for that my Lord taking delight
in them it will keep him from more prodigal courses and make your
credit prevail with him in a greater matter for my good. So
commending my best love to you I take my leave
The date of the letter is not known, but it is believed to be around 1600.
At that time, Derby's Men were led by their actor/manager Robert Browne, referred
to in the letter. They were playing at the Boar's Head, a converted inn
in Whitechapel, immediately outside the city limits of London.
This is the time too (June 30, 1599), that the
famous letters from Fenner were written, in which he says the Earl of
Derby is busy writing plays for the common players.
E. Derby
Shakespeare makes no mention of the tavern by name in either play
[i.e., parts 1 and 2 of Henry IV] and the identification
of the Boar's Head as Falstaff's headquarters rests on a
tradition which can be traced back to 1654 and on the pun at II ii
140-1.
The pun referred to (H IV, Part II) is:
Prin.: Where sups he? doth the old boare feede in the old Franke?
This supposed pun is clearly a very slender basis for saying
the action takes place at the Boar's Head tavern in Eastcheap.
I suggest that the idea that the tavern is the Boar's Head is
a misunderstanding of a tradition that the play took
place at the Boar's Head. Because of the reference in the
play to Eastcheap, and the fact that it was known that there
was a Boar's Head tavern in Eastcheap, the two were conflated
and the Boar's Head tavern, Eastcheap was the result. But there
was a Boar's Head in Whitechapel as well.
Bard: At the old place, my Lord, in East-cheape.
Sources and Notes
Did Derby's Men perform Twelfth Night at
court? It has been assumed that the Chamberlain's
Men played it, but that is a Stratfordian
assumption. We also know that Twelfth Night
was performed at Middle Temple on 2 February 1602.
As you can see from the above, Derby's Men's next
known date after the 6 January 1601 court appearance
was 27 February 1602. Did Derby's Men perform
Twelfth Night at the Middle Temple? Where
were they, and where were the Chamberlain's Men on
that date?
George, David. "Population and Players in Jacobean Lancashire: a caveat for REED editors".
REED Volume 17 number 1, 1992.
Records of Early English Drama (REED). A major
research effort into pre-restoration English drama
including a newsletter and multiple volumes dedicated to various
areas of England. See REED (http://www.chass.utoronto.ca/~reed/reed.html).
Gurr, Andrew. The Shakespearean Playing Companies
George, David. "Records of interest at the Lancashire Record Office".
REED newsletter 1979:2.
Berry, Herbert.The Boar's Head Playhouse.
Folger Books, 1986.
Hotson, Leslie. The First Night of Twelfth Night
Coman, Alan C. "The Congleton Accounts: further evidence of
Elizabethan and Jacobean drama in Cheshire". REED volume 14
number 1, 1989.
Keenan, Siobhan. "A Little-Known Allusion to an
Inn Performance in the Suburbs of Jacobean
London", Notes and Queries, Vol. 50, Issue
4, December 2003, pp. 437-440.
In the chapter "A Family Tradition: Dramatic Patronage by
the Earl's of Derby" in Region, religion and partronage:
Lancastrian Shakespeare ed. Dutton, Findlay, and Wilson, the
reference to the 1636/7 appearance of Derby's Men in Doncaster
is footnoted with the following information: "The Doncaster
reference comes from Appendix II to Barbara Palmer's unpublished
paper, 'Traveling Players in Derbyshire: Bess of Hardwick's
Records' for the SAA theatre history seminar (April 2001)."